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posted on 2021-11-28, 21:58authored byDuška Radosavljević, Flora Pitrolo, Tim Bano, Kate Hunter
Hunter explores her training and conceptual interests, her working methods and relationship to technology, and how she came to understand the social, narrative and affective potentiality of voice on stage through Earshot but also through the performances Maybe We’re Never Together (2011) and her current project Fugue State. This interview was conducted on 26.05.2020.
Funding
Aural/Oral Dramaturgies: Post-Verbatim, Amplified Storytelling and Gig Theatre in the Digital Age