Version 2 2021-11-28, 21:48Version 2 2021-11-28, 21:48
Version 1 2021-02-15, 09:37Version 1 2021-02-15, 09:37
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posted on 2021-11-28, 21:48authored byDuška Radosavljević, Flora Pitrolo, Tim Bano, Kieran Hurley
Hurley details how he has crafted his style of storytelling, in Beats (2012), Rantin (2014), Heads Up (2017) and Mouthpiece (2018), focusing on the social and political aspects of the work and on the material conditions of their conception. This interview was recorded on 08.05.2020.
Funding
Aural/Oral Dramaturgies: Post-Verbatim, Amplified Storytelling and Gig Theatre in the Digital Age