Taking seriously as its starting point one of the most richly sedimented yet most deeply misunderstood popular music genres of new Europe – the term ‘turbo-folk’ was coined in the mid-1980s by Rambo Amadeus – Turbofolk by Oliver Frljic is a rich, caustic, irreverent and sometimes darkly funny investigation of Ex-Yugoslav society and of how it might choose to tell its own story to itself. This conversation was recorded on 16.12.2020.
Funding
Aural/Oral Dramaturgies: Post-Verbatim, Amplified Storytelling and Gig Theatre in the Digital Age