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LMYE Laboratory #5: She Goat - The Making of The Undefinable (2019-2020)

Version 2 2021-11-26, 21:59
Version 1 2021-03-11, 11:24
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posted on 2021-11-26, 21:59 authored by Duška Radosavljević, Flora Pitrolo, Juan Felipe Salazar CardonaJuan Felipe Salazar Cardona, Shamira Turner, Eugenie Pastor
As they guide us through their process of working on The Undefinable, Pastor and Turner open up a number of rich questions central to a shift from the spectatorial to the purely aural: why does a text-heavy scene feel ‘flat’ on radio? What does a lighting cue sound like? How can we creatively fill in the gaps of the visual with description, and how does audio description take on a life of its own? What is gained and what is lost in the use of foley and sound effects? This recording was made on 18.09.2020.

Funding

Aural/Oral Dramaturgies: Post-Verbatim, Amplified Storytelling and Gig Theatre in the Digital Age

Arts and Humanities Research Council

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    The Royal Central School of Speech and Drama

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