Ella Finer explains how she came to write her book Acoustic Commons and the Wild Life of Sound (Berlin: Errant Bodies), a collection of essays following sound’s capacity to evade taxonomies and structures of power – from the gallery to the archive to the House of Commons – and open up other possible resistant and radical spaces of listening and thought. This interview was recorded on 22.09.2020.
Funding
Aural/Oral Dramaturgies: Post-Verbatim, Amplified Storytelling and Gig Theatre in the Digital Age